Symphonies Nos. 3 and 4 in Full Score 1–6 (including "The Lark" or
Symphonies Nos. 3 and 4 in Full Score 1–6 (including "The Lark" orMahler's third and fourth symphonies mark a turning point in his development as a composer. Symphony No. 3 (1896) predominantly follows the musical style of the earlier two symphonies, which tended to emphasize a single melodic line with subordinate harmonies. Symphony No. 4 (1900) embodies the more contrapuntal style that characterizes his later symphonic works. At the same time, these works bring Mahler to the end of his "Wunderhorn years," when his
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